Sunday 17 February 2013

Dyslexia scotland


http://www.dyslexiascotland.org.uk/the-facts

the facts

Dyslexia is not a recent discovery. Academics have been talking about it for more than 100 years.

Changing perceptions

The term ‘dyslexia’ was first coined in 1887 by Rudolf Berlin, an eye doctor from Stuttgart in Germany. 
In 1896, Dr W Pringle Morgan published the first article on dyslexia in the British Medical Journal. He talked about a 14-year-old boy called Percy whose inability to read was ‘so remarkable, so pronounced that I have no doubt that it is due to some congenital defect... The schoolmaster who has taught him for some years says that he would be the smartest lad in the school if the instruction were entirely oral.’
Thanks to research and groups like Dyslexia Scotland, many people in the 21st century have heard of dyslexia.
Perceptions have changed, and the misconception that dyslexia is ‘stupidity’ has been wiped out for the most part.

Did you know?

  • The word ‘dyslexia’ comes from the Greek meaning ‘difficulty with words’.
  • One in 10 of us is thought to be dyslexic in some way. That makes over half a million people in Scotland.
  • Each person with dyslexia has a unique set of difficulties, and abilities – like musical talent, or good verbal skills.
  • Early recognition, appropriate teaching and support at school can mean people with dyslexia don’t have to lose out.

Famously dyslexic

As well as our President Sir Jackie Stewart, OBE, many well known, successful people have spoken publicly about their dyslexia, including:
  • Albert Einstein
  • Walt Disney
  • Sir Richard Branson
  • Johnny Depp
  • Jamie Oliver
  • Anthea Turner
  • Keira Knightley
  • Orlando Bloom
  • Princess Beatrice


Halgren and drfries experiments

http://www.macalester.edu/academics/psychology/whathap/ubnrp/dyslexia/genes.html

link to website mentioning halgren and defries experiments

Dyslexia - Biological aspects

Grigorenko


http://onlinelibrary.wiley.com/doi/10.1111/1469-7610.00704/abstract
Developmental Dyslexia: An Update on Genes, Brains, and Environments

  1. Elena L. Grigorenko
Article first published online: 7 OCT 2003





The science of reading and developmental dyslexia has experienced spectacular advances during the last few years. Five aspects of this research are discussed in the article. (1) The holistic phenomenon of reading is complex. Many lower-level psychological processes (e.g., phonemic awareness, phonological decoding, ability to process stimuli rapidly and automatize this process, memory, ability to recognize words) contribute to a single act of reading. Conceptualizing the complex process of reading through its partly overlapping but partly independent components—which contribute to, but do not fully explain, the holistic process of reading—provides an excellent model for understanding complex hierarchies of higher mental functions. Those who master reading skills successfully and those who have difficulties doing so differ in a wide range of reading-related processes. The central deficit experienced by poor readers appears to be related to phonological processing (a complex hierarchy of functions related to processing phonemes), whereas characteristics of automatization processes seem to moderate the reading outcome for people whose phonological skills are weak. (2) There are new data addressing models of dyslexia in languages other than English. The most fascinating finding is that the model implicating phonological deficit as central to dyslexia, and the lack of ability to automatize as leading to troubled reading, appears to be universal, regardless of the specific language. However, there is an interaction effect between the characteristics of a particular language and the developmental model of dyslexia. In phonologically more difficult languages (e.g., English), the most pronounced weakness appears to occur in phonological processing, whereas in phonologically easier languages (e.g., German), the crucial role in the manifestation of dyslexia is played by the lack of the skills needed to achieve automatization. (3) There is abundant evidence that reading (i.e., any single act of reading as well as reading as a holistic process) is “cooked” by the brain. Although no unified brain map of reading has been developed, some specific areas of the brain have been implicated in different reading-related cognitive processes by different laboratories and on different samples. (4) Indisputable evidence has been accumulated suggesting the involvement of the genome in developmental dyslexia. As of now, specific regions of the genome have been identified as being intimately involved with a number of different reading-related processes. Today the field of developmental dyslexia is the only area of genetic studies of human abilities and disabilities in which linkages to the genome have been robustly replicated in independent laboratories. (5) Finally, evidence suggests that developmental dyslexia might be only one of the manifestations of a deep, underlying, anatomical syndrome. The comorbidity of developmental dyslexia with both internalizing and externalizing behavioral disturbances, as well as with other learning disabilities, underscores the need for wide-ranging cognitive and behavioral approaches in the remediation programs offered to dyslexic children.

meaning of dyslexia

http://www.spot-your-potential.com/what-is-dyslexia.htm

Spot your potential.com - what is dyslexia?


What is Dyslexia?

The word Dyslexic is based on two Greek words, 'Dys' meaning 'difficulty' and 'lexic' meaning 'with words'. Dyslexia is not a disease it is a condition that you are born with, a difference in the way the brain works. A difference that will be present throughout your life. Dyslexia mainly affects reading and language skills and the effects can range from mild to very severe. The sooner dyslexia is spotted, the sooner suitable learning and coping strategies can be employed to minimise the effects of the condition, take the Dyslexia test now!
People with dyslexia are not stupid or dumb their brain just works differently. In fact did you know that recent research shows that Dyslexics Make Great Entrepreneurs.
The study found that 35% of entrepreneurs in America and 20% in Britain have dyslexia! People with dyslexia often develop special skills, for example, persistence, creativity and the ability to 'think outside of the box'.
Henry Ford was dyslexic, as is Richard Branson who is an extremely successful entrepreneur. They are just two of the many successful and famous people with dyslexia. Visit our famous dyslexics page to read about others.

Tuesday 12 February 2013

Franklin Gothic


About this font family

Franklin Gothic was designed by Morris Fuller Benton for the American Type Founders Company in 1903-1912. Early types without serifs were known by the misnomer “gothic” in America (“grotesque” in Britain and “grotesk” in Germany).
There were already many gothics in America in the early 1900s, but Benton was probably influenced by the popular German grotesks: Basic Commercial and Reform from D. Stempel AG. Franklin Gothic may have been named for Benjamin Franklin, though the design has no historical relationship to that famous early American printer and statesman.
Benton was a prolific designer, and he designed several other sans serif fonts, including Alternate Gothic, Lightline Gothic and News Gothic.
Recognizable aspects of Franklin Gothic include the two-story a and g, subtle stroke contrast, and the thinning of round strokes as they merge into stems. The type appears dark and monotone overall, giving it a robustly modern look.
Franklin Gothic is still one of the most widely used sans serifs; it’s a suitable choice for newspapers, advertising and posters.

The ITC Franklin Gothic™ typeface family retains the personality and character of the original ATF Franklin Gothic, with only a slight increase in x-height and character width to distinguish it from the earlier version. ITC Franklin Gothic also retains the strength and vitality that is typical of late 19th century American sans serif typefaces.

Baskerville


Designer/History
John Baskerville. Baskerville, who had made a fortune in japanning before turning to printing when in his midforties, was responsible for several advances in printing technology, improving press platens and packings, formulating darker and faster-drying inks, and inventing wove paper, which was smoother than the old laid papers with their vertical ribbing. all of this enabled him to employ a typeface with sharper definition and thinner elements than was previously possible. This marks the move from the "garalde" to the transitional faces.
Unfortunately, Baskerville could not compete economically with printers using the cheaper, established technology. His matrices were sold by his widow, and changes hands several times, disappearing into obscurity until they were rediscovered and made known by Bruce Rogers around 1920.
"Foundry" or "Fry" Baskerville is a later face based on the original Baskerville, which was cut by the Joseph Fry foundry in 1764. This cutting takes the face more in the direction of the Didots. Rogers used it for display with the original Baskerville as text font.

Baskerville, designed in 1754, is most known for its crisp edges, high contrast and generous proportions. The typeface was heavily influenced by the processes of the Birmingham-bred John Baskerville, a master type-founder and printer, who owed much of his career to his beginnings. As a servant in a clergyman’s house, it was his employer that discovered his penmanship talents and sent him to learn writing. Baskerville was illiterate but became very interested in calligraphy, and practised handwriting and inscription that was later echoed in strokes and embellishments in his printed typeface.
Baskerville is categorized as a transitional typeface in-between classical typefaces and the high contrast modern faces. At the time that John Baskerville decided to switch from owning a japanning business to a type foundry, Phillipe Grandjean’s exclusive Romain du Roi for Louis XIV had circulated and been copied in Europe. The mathematically-drawn characters felt cold, and prompted Baskerville to create a softer typeface with rounded bracketed serifs and a vertical axis.

Times New Roman


A brief history of Times New Roman

Times New Roman gets its name from the Times of Lon don, the British news pa­per. In 1929, the Times hired typog ra pher Stan ley Mori son of Mono type, a British font foundry, to cre ate a new text font. Mori son led the project and super­vised Vic tor Lar dent, an adver tis ing artist for the Times, who drew the let ter­forms.
After Mono type com pleted Times New Roman, it had to license the design to then-rival Lino type, because the Times used Linotype’s type set ting machines. (Think of Mono type and Lino type as the Depression-era Microsoft and Apple.) Since then, Mono type has sold the font as “Times New Roman” and Lino type has mar keted its ver sion as “Times Roman.”
Type set ting tech nol ogy has evolved since then, but due to its endur ing pop u lar ity, Times New Roman has always been one of the first fonts avail able in each new for mat. This, in turn, has only increased its reach.
Objec tively, there’s noth ing wrong with Times New Roman. It was designed for a news pa per, so it’s a bit nar rower than most text fonts — espe cially the bold style. (News pa pers pre fer nar row fonts because they fit more text per line.) The italic is mediocre. But those aren’t fatal flaws. Times New Roman is a work horse font that’s been suc cess ful for a rea son.
Yet it’s an open ques tion whether its longevity is attrib ut able to its qual ity or merely to its ubiq uity. Hel vetica still inspires enough affec tion to have been the sub ject of a 2007 doc u men tary fea ture. Times New Roman, mean while, has not attracted sim i lar acts of homage.
Why not? Fame has a dark side. When Times New Roman appears in a book, doc u ment, or adver tise ment, it con notes apa thy. It says, “I sub mit ted to the font of least resis tance.” Times New Roman is not a font choice so much as the absence of a font choice, like the black ness of deep space is not a color. To look at Times New Roman is to gaze into the void.

Steeped in tradition, the Times New Roman® family has been described as one of the most familiar and successful typefaces in the world – and has been used for just about every typographic application imaginable. Times New Roman is considered an exceptionally legible design that translates well to hard copy and on-screen environments.

Helvetica

The original Helvetica was designed in Switzerland in 1957 by Max Miedinger and Eduard Hoffmann at the Haas type foundry (Haas’sche Schriftgiesserei). Haas was controlled by the type foundry Stempel, which was in turn controlled by Linotype.
Helvetica was originally called Die Neue Haas Grotesk, and was closely based on Schelter-Grotesk. It was created specifically to be neutral, to not give any impression or have any meaning in itself. This neutrality was paramount, and based on the idea that type itself should give no meaning.
The marketing director at Stempel decided to change the name to Helvetica in 1960 to make the font more marketable internationally. Originally it was proposed that the typeface be called Helvetia (Latin for Switzerland), but the designers didn’t want to name it after a country, and so it was called Helvetica instead (which is Latin for Swiss).

Helvetica was designed in post-war Europe, and many companies were looking for a change. It was the opposite of all the kitschy, fancy, decorative typography that covered corporate materials and advertisements.
Helvetica’s sleek lines and modern sensibilities were just what companies were looking for to remake their identities and set themselves apart from the past.
Corporations stick by Helvetica because of what they have invested in it. Because of this, it has become associated with corporate culture and business to some degree. This is one reason why American Apparel chose to use the font for their own brand identity to poke fun at corporate culture in America.
Helvetica was invented in 1957 by Eduard Hoffmann, director of Haas Type Foundry in Münchenstein, Switzerland, with the help of Max Miedinger. The original typography was called Neue Haas Grotesk and it aimed to embody a no-frills style. Hoffmann wanted Neue Haas Grotesk to form a contemporary version of an older typeface known as Akzidenz Grotesk. This new design would allow the typeface to be featured in a variety of situations without ever seeming inappropriate. When Haas Type Foundry’s parent company, Mergenthaler Linotype, decided to market Neue Haas Grotesk in foreign markets, it changed the name to Helvetica in an effort to make it more appealing and easier to pronounce for international customers. Helvetica was received positively, and has grown into several common forms, such as Helvetica Light, Helvetica Bold, and Helvetica Black, that appear on billboards, postcardsbusiness cards, magazine ads, and websites.
Common Uses of Helvetica
Different versions of Helvetica exist to cover a wide selection of languages, including Japanese, Korean, and Hebrew. Popular companies such as American Airlines and Toyota use Helvetica or draw inspiration from it as their font of choice. Apple uses Helvetica in its operating systems and a version appears on the iPhone 4. Other common uses include government organizations and the New York City Subway system, which currently uses Helvetica on its signage.
Why is Helvetica so well received? It comes down to its flexibility, its crisp appearance, and its humanized characteristics. The font appears closer to human writing and less like a computerized font, something a viewer will instantly relate to on a subconscious level. Its crisp appearance and flexibility make it a versatile font that can look either sophisticated or laid back depending on the context. All these factors add up to a well received and commonly used font.

Arial


Arial is everywhere. If you don’t know what it is, you don’t use a modern personal computer. Arial is a font that is familiar to anyone who uses Microsoft products, whether on a PC or a Mac. It has spread like a virus through the typographic landscape and illustrates the pervasiveness of Microsoft’s influence in the world.
Arial’s ubiquity is not due to its beauty. It’s actually rather homely. Not that homeliness is necessarily a bad thing for a typeface. With typefaces, character and history are just as important. Arial, however, has a rather dubious history and not much character. In fact, Arial is little more than a shameless impostor.

A contemporary sans serif design, Arial contains more humanist characteristics than many of its predecessors and as such is more in tune with the mood of the last decades of the twentieth century. The overall treatment of curves is softer and fuller than in most industrial style sans serif faces. Terminal strokes are cut on the diagonal which helps to give the face a less mechanical appearance. Arial is an extremely versatile family of typefaces which can be used with equal success for text setting in reports, presentations, magazines etc, and for display use in newspapers, advertising and promotions.

The Arial® typeface is one of the most widely used designs of the last 30 years. Drawn in 1982 by Monotype Imaging designers Robin Nicholas and Patricia Saunders for use in an early IBM® laser printer, Arial has become a staple for textual content. While some believe Arial has its design roots in the Helvetica® typeface, its foundation is actually in the Monotype Grotesque® design, drawn at the turn of the last century.

Monday 11 February 2013

gerenal info what is, theories etc


http://www.oecd.org/edu/ceri/primerondyslexia.htm

OECD - Centre for educational research and innovation - CERI

Dyslexia Primer
by
Christina D. Hinton
The purpose of this primer is to answer frequently asked questions regarding dyslexia and direct the reader towards further resources on the subject.
Christina Hinton works on issues at the nexus of education and neurobiology in affiliation with the OECD and Harvard Graduate School of Education. The following is, in great part, taken from “Overcoming Dyslexia” by Sally Shaywitz (Knopf, 2003).
What is dyslexia?
The word “dyslexia” is derived from the Latin word “dys,” which translates to difficult, and the Greek word “lexia,” which translates to words; it literally means, “difficulty with words.”  Dyslexia is a neurobiologically-based language impairment defined by a difficulty in reading that does not result from global intellectual or motivational deficits (Lyon et al., 2003; Shaywitz, 2003; Shaywitz & Shaywitz, 2005).  It has formally been defined as follows:

Dyslexia is a specific learning disability that is neurobioligcal in origin.  It is characterized by difficulties with accurate and/or fluent word recognition and by poor spelling and encoding abilities.  Their difficulties typically result from a deficit in the phonological component of language that is often unexpected in relation to other cognitive abilities and the provision of effective classroom instruction (Lyon et al., 2003).
Dyslexia is a variable and multifaceted learning disorder.  It occurs along a continuum of reading ability and inability (Shaywitz et al., 1992).  Therefore, dyslexia exists in gradations, and its severity varies among affected individuals.  Symptoms of dyslexia often affect both oral and written language, reflecting a basic difficulty in accessing the basic sounds of language. (See below for specific indicators that can help identify dyslexia).
Dyslexia is an isolated language impairment that occurs independent of intelligence (Shaywitz, 2003).  Higher-level thought processes, such as reasoning, problem solving, comprehension, concept formation, and critical thinking are not directly disrupted by dyslexia.     
What causes dyslexia?
While there has been some debate concerning the cause of dyslexia, several lines of converging evidence suggest that dyslexia is caused by a localized impairment in the phonological module, the functional part of the brain responsible for processing sound elements of language (Shaywitz, 2003; Shaywitz & Shaywitz, 2005).  According to this phonological model, dyslexia results from an impaired ability to segment spoken words into phonologic parts and link each letter to its corresponding sound (Shaywitz, 2003; Shaywitz & Shaywitz, 2005).  Phonomes are small units of sound that can be conceptualized as the building blocks of words (for example, the word cat is comprised of three phonemes: k, aaaa, and t).  In individuals with dyslexia, phonemes are less well defined.  Shaywitz (2003) characterizes such phonemes as carved letter blocks with faces so worn that their letters are no longer prominent.  This lack of precision results in difficulties appropriately retrieving and manipulating phonemes.  Individuals with dyslexia also struggle with what is known as the alphabetic principle (Shaywitz, 2003).  This principle refers to the notion that written and verbal words are comprised of the same phonemes, and that letters in words map onto phonetic sounds.  An understanding of this principle enables verbal and written words to be segmented (taken apart) and blended (put together), processes necessary for decoding written text.                
Functional imaging studies have revealed a potential neural substrate for the phonological deficit thought to underlie dyslexia.  There appears to be a disruption of two left hemisphere posterior brain systems, one parieto-temporal, the other occipito-temporal (Shaywitz & Shaywitz, 2005; Shaywitz et al, 2001). 
There is an alternative model of dyslexia, known as the magnocellular theory, which attributes dyslexia to dysfunction of cells involved in processing sensory information (Stein & Walsh, 2003).  This theory posits that the disruption of these cells results in auditory, visual, and/or motor difficulties, and these difficulties are the primary cause of dyslexia.  However, sensory dysfunction is absent in many cases of dyslexia, and has no clear causal link to reading problems (Ramus, 2004; Ramus, 2003).  By contrast, phonological processing deficits are consistently found in individuals with dyslexia (Morris et al., 1998; Ramus et al., 2003).  Further, there is evidence indicative of a correlative relationship between phonological and reading problems, as well as a cogent neurobiological explanation of how phonological processing problems could lead to reading difficulties (Lundberg, 2002, Pennington & Lefly, 2001; Shaywitz, 2003; Shaywitz & Shaywitz, 2005).  It seems most plausible that dyslexia is caused by a specific phonological deficit that is optionally accompanied by confounding sensory dysfunction (Ramus, 2003; Stuart, 1999).   
Will children “grow out of” dyslexia?
Dyslexia is not a transient lag in development (Bruck, 1992; Francis et al., 1996; Shaywitz, 2003).  It is a persistent condition that will not fade away with brain maturation.  It is critical that children at risk for dyslexia begin treatment as early as possible.  While results of later intervention are significant, results of early intervention are more rapid and successful (Lyytinen et al., 2005; Torgesen, 1998).   
Is dyslexia hereditary? 
Dyslexia is often hereditary (Pennington & Gilger, 1996; Lyytinen et al., 2005).  Between twenty-three and sixty-five percent of children with dyslexia have a parent with the disorder.  Replicated linkage studies of dyslexia implicate loci on chromosomes 2, 3, 6, 15 and 18 (Fisher & DeFries, 2002).  Future genetic research may identify reliable predictors of dyslexia, which would allow for preventative interventions that can reduce the detrimental effects of the disorder (Lyytinen et al., 2005).
If dyslexia is brain-based and hereditary, is treatment futile?
The notion that genetically-influenced, brain-based characteristics are deterministic and fixed is a dangerous misconception.  The structure of the brain is a function of a synergistic interaction of genetics and experience.  Neural circuitry is continually constructed and reconstructed in response to experience.  Consequently, while genetic predispositions influence the architecture of the dyslexic brain, there is considerable potential for functionally-significant structural modification (Shaywitz, 2003).  Therefore, it is crucial that individuals at risk for dyslexia receive effective treatment.  There is evidence that phonologically-targeted treatment can enable young individuals to sufficiently develop neural circuitry in left hemisphere posterior brain systems and to read with accuracy and fluency (Shaywitz et al., 2004).  It is also possible for the dyslexic brain to construct alternative, compensatory right hemispheric circuitry; this circuitry seems to enable accurate, but slow, reading (Shaywitz, 2003).
Who is affected by dyslexia?
Dyslexia is both prevalent and widespread.  It is the most common subtype of learning difference, with a prevalence ranging from five to ten percent (Roongpraiwan et al., 2002) to fifteen to twenty percent (Shaywitz, 2003).  It occurs in both males and females, and widely across the spectrum of intellectual ability (Shaywitz, 2003; Shaywitz et al., 1990).  Dyslexia is a global phenomena, affecting individuals across cultural, socioeconomic and linguistic boundaries (Shaywitz, 2003).  Recent research suggests that there may be an inverse relationship between the age of onset of dyslexia and the orthographic shallowness, or phonological simplicity, of a language (Kelly & Davis, 2004).  Therefore, individuals who speak languages with complex sound-letter correspondences, such as English, may present earlier with basic phonological and decoding weaknesses compared to those who speak languages with relatively simple phonological relationships, such as Finnish.
Why is early identification of dyslexia important?
It is important that dyslexia is identified as early as possible because early intervention is most effective (Lyytinen et al., 2005; Shaywitz, 2003; Torgesen, 1998).  In general, the brain is differentially plastic across the lifespan (Newport, 2002; Shaywitz, 2003). In addition, early treatment and accommodations can prevent self-esteem deficits often associated with dyslexia (Shaywitz, 2003).   
What indicators can help identify dyslexia?
Individuals with dyslexia will have a specific phonological weakness, with intact thinking and reasoning skills.  The combination of symptoms varies from case to case.  The following is a list of clues affecting spoken and written language that can signal dyslexia (taken from Shaywitz, 2003, pp. 122-127):
• Family history of dyslexia
• Slight (several month) delay in beginning to speak and in progressing to the use of phrases
• Difficulties with pronunciation of many words after five or six years of age
• Insensitivity to rhyme in early childhood (i.e. inability to recite nursery rhymes or to identify rhymes)
• Failure or delay in acquiring the ability to learn the names and sounds of the letters of the alphabet
• Confusion of words that sound alike (i.e. tornado/volcano)
• Frequent usage of imprecise words (i.e. stuff, things, etc.)
• Tendency to “talk around” a word by describing it with indirect words
• Speech littered with hesitations or pauses
• Difficulty with articulation
• Avoidance of public speaking or reading
• Use of word substitutions while reading (i.e. car for automobile)
• Difficulty reading small function words (i.e. in, on, the, that, an)
• Inability to read with appropriate speed or fluency
• Hesitant and choppy rhythm of reading, with words omitted or misspoken
• Poor spelling
• Highly variable performance on exams, with time as a strong predictor of performance
• Poor handwriting
• Reading easily disrupted in a noisy environment
• Diminished self-esteem
What should parents do if they suspect their child may be dyslexic?
If a child is showing symptoms of dyslexia, evaluation should be sought without delay.  A child can first be seen by a pediatrician, who can do an initial screening and make a referral for further evaluation if appropriate.  Speech and language therapists can carry out assessments of spoken language appropriate for young children (for an online directory of speech and language pathologists see:www.asha.org/proserv).  If a child is of school-age, his teacher should be approached.  A school psychologist, principal, or reading specialist can also be contacted (Shaywitz, 2003).
How is dyslexia diagnosed?
Dyslexia is clinically diagnosed based upon a synthesis of information from multiple sources, including personal and family history, observations of speaking and reading, and tests of reading and language (Shaywitz, 2003).  Reading tests assess accuracy, fluency and comprehension.  An individual is considered dyslexic when she displays reading difficulties that are unexpected for her age, learning capacity and education.
What interventions are appropriate for individuals with dyslexia?
Interventions for individuals with dyslexia should include several components.  First, individuals need intensive, targeted treatment aimed at developing phonemic awareness, phonics and fluency.  In addition, they should receive instruction in vocabulary, background knowledge, and comprehension strategies. They also need to be given appropriate accommodations, such as the provision of extra time, a quiet space in which to work, recorded text, alternate testing formats, or a laptop for typing notes.  Finally, intervention should focus on the preservation of self-esteem.  Individuals must be supported and genuinely praised as they learn to read; motivation is an important ingredient of success.  They should also be encouraged to nurture the development of unaffected talents, such as athletics, music, art, science, writing, or mathematics.
Intervention at school and home should work in synchrony.  In chapters 15, 16, and 17 of Overcoming Dyslexia, Shaywitz (2003) describes a detailed program for dyslexia intervention that can be used by parents and teachers alike.  The program begins with a focus on mastering the alphabetic principle, then progresses to learning to read, and ends with developing fluency and comprehension.  Suggested activities extracted from this program are listed below.
1. Mastering the alphabetic principle
• Read stories and poems with rhyme
• Discuss stories and poems with a focus on drawing attention to sounds of language
• Practice clapping the number of syllables in words
• Play with blending syllables together (i.e. What word does rain plus bow make?  What do you get when you push the sounds, mmmm aaaa and nnnn together?)
• Compare and match sounds in different words
• Make cards with letters and match them to objects in the room that begin or end with that letter
• Play with the addition and subtraction of sounds (i.e. What would you get if you add the sound ssss to eat?  What word is made when you take the tttt from seat?)
• Use concrete objects to represent sounds and physically move them about to create words
• Practice reading and re-reading simple books
• Make homemade books containing familiar words and re-read them
• Make flashcards for words that do not follow a pattern (i.e. a, is, are, one, two, said, again, been, could, the, once, etc.)
• Practice writing simple words

agatha christie dyslexia

http://www.happydyslexic.com/node/14

Happy Dyslexic  - Famous people with dyslexia


Authors

  • Avi
  • Agatha Christie: Author (1890 - 1976). The most successfull mystery writer of all time. Books, movies, and more of Agatha Christie Amazon.com.
"I, myself, was always recognized . . . as the "slow one" in the family. It was quite true , and I knew it and accepted it. Writing and spelling were always terribly difficult for me. My letters were without originality. I was . . . an extraordinarily bad speller and have remained so until this day." - Agatha Christie
"The popular idea that a child forgets easily is not an accurate one. Many people go right through life in the grip of an idea which has been impressed on them in very tender years." - Agatha Christie, Thinkexist
"I have enjoyed greatly the second blooming that comes when you finish the life of the emotions and of personal relation; and suddenly find --at the age of fifty, say -- that a whole new life has opened before you, filled with things you can think about, study, read about...It is as if a fresh sap of ideas and thoughts were rising in you. With it, of course, goes the penalty of increasing old age -- the fact that your body is nearly always hurting somewhere...One's thankfulness for the gift of life is, I think, stronger, more vital during those years than it has ever been before. It has some of the reality and intensity of dreams -- and I still enjoy dreaming enormously." - Agatha Christie
"Writing is a great comfort to people like me, who are unsure of themselves and have trouble expressing themselves properly." - Agatha Christie
"I suppose it is because nearly all children go to school nowadays, and have things arranged for them, that they seem so forlornly unable to produce their own ideas." - Agatha Christie, Homeschool.co.uk
Question: "So, how the ideas come?" Answer: "They come suddenly, I even don’t know how. Whenever: when I am listening to opera, walking on the street… they come from everywhere! Also, when a smart idea falls into your head, which you like, you have to build a believable story from it. Suddenly faces grow as well, one by one. And then comes this unpleasant day, when you have to sit down and everything what had beautifully grown put on paper. Yes, the first part is much more fun!" Agatha Christie.
Question: "Once you have said that is your work in detective stories divided in two parts: fun, when you are thinking up the plot and “boring” when all of that has to be put on paper." Answer: "Yes, that’s right. It is much more fun just to think about what is needed to be written as to write it!" Agatha Christie.
Question: "Does archaeology represent a certain period for you, for example, ancient Egypt or Mesopotamia or do other periods attract you as well?" Answer: "We are interested in all periods, that is also a difficulty! Today it is specially in science needed strict specialization in one thing, but we are interested in so many things!" - Agatha Christie, Interview September 1967
"I have learnt that I am me, that I can do the things that, as one might put it, me can do, but I cannot do the things that me would like to do." - Agatha Christie, Quote me on it...
"The secret of getting ahead is getting started." - Agatha Christie, Top Mystery
"One of the luckiest things that can happen to you in life is to have a happy chilhood. I had a very happy childhood." - Agatha Christie. Top Mystery

symptoms in adult

http://www.ne-dyslexia.com/adultdyslexiacharacteristics.html

New England dyslexia solutions


Most adult dyslexics will exhibit at least 10 of the following traits and behaviors. These characteristics are often inconsistent, and may vary depending upon the day or situation.
For a printer-friendly characteristics check-list, click here
  1. Career
  2. General
  3. Math, Time Management, Directions
  4. Reading, Writing, and Spelling
  5. Behavior, Health, and Personality
© 2008 by Karen LoGiudice, New England Dyslexia Solutions

Career

  • Employed in job/position that will hide difficulties or not require dealing with problematic areas.
  • Hides difficulties from co-workers, friends and even family.
  • Becomes frustrated at "planning meetings" and sequential tasks - already has the answer and how to do it.
  • Becomes frustrated or overwhelmed with long forms or sequential processes.
  • Thrives in careers where visual-spatial/kinesthetic talents can be realized: For example - Entrepreneurs, Engineers, Trades (carpentry, plumbing, electrical), Artisans, Interior Decorating, Actors, Musicians, Police/Investigation, Athletes, and Business Executives (usually with staff/assistants).
  • May pass up promotions or advancement opportunities that would require more administrative work.
  • Has difficulty focusing and staying on task - may feel more comfortable managing many different tasks simultaneously.
  • Difficulty with tests - passing standardized tests can be a barrier to career advancement.
  • Highly successful/over achiever, or considered "not working up to potential." Either way, displays extreme work ethic.
  • May be a perfectionist and overreact when they make a mistake.
  • Out-of-the-box thinker or operates with very strict rules for themselves.
  • Learns best through hands-on experience, demonstrations, experimentation, observation, and visual aids.
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General

  • Highly intuitive - known to have "street smarts." Is often "dead on" in judging personalities of others.
  • May be able to sense emotions and energy of others.
  • Remembers struggling in school.
  • Frequently have dyslexic children and experience guilt when seeing own child struggle. Insecurities arise while reading to own children or helping them with homework.
  • Easily distracted/annoyed by noises and other things in environment.
  • May appear to "zone out" and be unaware that it is happening.
  • Enjoys video games.
  • Misspeaks, misuses, or mispronounces words without realizing it.
  • May have poor balance or is/was very athletic.
  • May have excellent recall of events that were experienced or not remember at all.
  • May confuse past conversations or be accused of "not listening."
  • Difficulty remembering names of people without tricks, but remembers faces.
  • Difficulty remembering verbal instructions or directions.
  • Poor recall of conversations or sequence of events.
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Math, Time Management, Directions

  • May understand higher math, but can't show it on paper.
  • May excel at math, or may still rely on tricks for remembering math facts.
  • Relies on calculators or finger counting. May have difficulty with making change.
  • Difficulty with left/right and/or North, South, East, West.
  • Gets lost easily or never forgets a place they've been.
  • Difficulty reading maps.
  • May have anxiety or stress when driving in unfamiliar places. Relies on others to drive when possible.
  • May lose track of time and is frequently late - or is highly aware of it and is very rarely late.
  • Finds it difficult to estimate how long a task will take to complete.
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Reading, Writing, and Spelling

  • Difficulty reading unfamiliar fonts.
  • Avoids reading out loud. May dislike public speaking.
  • Will commonly perceive that they "read better silently."
  • Has adopted compensatory tricks to remember spelling and homonyms (their, there, they're), or misuses homonyms and has poor or inconsistent/phonetic spelling.
  • Reading fluency and comprehension fluctuates depending upon subject matter.
  • Frequently has to re-read sentences in order to comprehend.
  • Fatigues or becomes bored quickly while reading.
  • Reliance on others (assistants, spouses, significant others) for written correspondence.
  • Uncertainty with words, punctuation, and spelling when writing. Reliance on spell-check and grammar-check.
  • Words out of context look "wrong."
  • Poor handwriting - masks spelling mistakes.
  • Writes with all capital letters, or mixes capital letters within words. Abbreviates words frequently.
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Behavior, Health, and Personality

  • May have a short fuse or is easily frustrated, angered, or annoyed.
  • Easily stressed and overwhelmed in certain situations.
  • Low self-esteem.
  • Self-conscious when speaking in a group. May have difficulty getting thoughts out - pause frequently, speak in halting phrases, or leave sentences incomplete. This may worsen with stress or distraction.
  • Sticks to what they know - fear of new tasks or any situation where they are out of comfort zone.
  • Extremely disorderly or compulsively orderly.
  • Confusion, stress, physical health issues, time pressure, and fatigue will significantly increase symptoms.